{"id":13285,"date":"2021-09-08T10:57:50","date_gmt":"2021-09-08T00:57:50","guid":{"rendered":"https:\/\/totalsynergy.com\/?p=13285"},"modified":"2022-09-16T10:11:48","modified_gmt":"2022-09-16T00:11:48","slug":"how-to-write-an-accurate-fee-proposal-for-architects-engineers-and-aec-professionals","status":"publish","type":"post","link":"https:\/\/totalsynergy.com\/how-to-write-an-accurate-fee-proposal-for-architects-engineers-and-aec-professionals\/","title":{"rendered":"How to write an accurate fee proposal \u2013 for architects, engineers, and AEC professionals"},"content":{"rendered":"\n\n\n\n\n\n\n\t<div class=\"content-row row no-padding-top, no-padding-bottom\" style=\"border-color: #ffffff; background-color: #fff;\">\n\t\t<div class=\"row-bounds\">\n\t\t\t<div class=\"single ww \">\n\t\t\t\t<div class=\"geo-ip aud nzd usd cad\">\n<p>The fact is that your success hinges on you knowing your real costs. Not just labour charges for fee earners, and raw costs either. But how much it truly <a href=\"https:\/\/totalsynergy.com\/aec\/project-accounting\/\" target=\"_blank\" rel=\"noopener\">costs for you to complete a project.<\/a> In a July 2021 <a href=\"https:\/\/www.architecture.com\/knowledge-and-resources\/knowledge-landing-page\/learn-to-write-a-fee-proposal-that-reflects-your-real-costs\" target=\"_blank\" rel=\"noopener\">article on architecture.com<\/a>, financial consultant and former finance director at Grimshaw, Michael Holmes, said that \u201conly by understanding its real cost rates can practices put together a sensible fee bid\u201d.<\/p>\n<p>What that means for your practice, is that fee proposals need to go beyond a summary of the design brief and services required. The hours that billable staff members spend on administration, the cost of non-billable employee salaries, electricity in the office, insurances, and a multitude of other expenses must be worked into your overhead costs. Because your architecture, engineering, and built environment projects are your source of income, those overheads must be factored into every fee proposal your firm puts together. It\u2019s critical to your ability to achieve consistent success.<\/p>\n<p>So how do you put together a fee proposal that does that properly? We spoke with David Yeates (Synergy business and project management software consultant, with a decade\u2019s experience running a successful architecture practice) about the answer to that question. David says, \u201cFirst and foremost, the number one thing when writing a fee proposal, is that you&#8217;ve got to get your rates right.\u201d<\/p>\n<p><strong>The cost of managing clients, and your portfolio<\/strong><\/p>\n<p>When beginning to write your fee proposal, it\u2019s important to understand who you\u2019re writing it for. Whether it\u2019s a mum-and-dad investor building a new home, a mid-tier developer, or a government contract, the nature of your client will necessitate varying amounts of management.<\/p>\n<p>Our small scale, residential client example will likely need educating as you go, with higher client touch or interaction, and higher overhead in management costs for you as a result. Costs you need to account for in your fee proposal. A mid-tier developer on other hand, will be well versed in the likely requirement of engineering inputs, phases, and stages, and require less of your time.<\/p>\n<p>\u201cThe other thing about those different types of fee proposals, is you would never take on a small scale, residential client as a <a href=\"https:\/\/totalsynergy.com\/project-management-for-built-environment-businesses-proper-portfolio-planning-part-2\/\" target=\"_blank\" rel=\"noopener\">portfolio<\/a> piece\u201d says David. It\u2019s common practice in the built environment design industry to take on a government project, for example, and offer them a price devoid of profit, to add that project to a portfolio of work \u2014 so you can move into a new market.\u201d<\/p>\n<p>If you\u2019re breaking even on a portfolio project like that, it\u2019s critical to know that you\u2019re making profit on your other projects to not send your business under. David says, \u201cIt doesn&#8217;t matter what kind of fee proposal you&#8217;re putting together, you need to make sure that it fits into your wider portfolio of projects, to make sure that you are actually covering all of your costs, even if you&#8217;re doing a loss-leader project.\u201d<\/p>\n<p><strong>The overhead factor<\/strong><\/p>\n<p>It\u2019s clear that when you consider your overhead costs you need to account for everything outside of your project costs. Your rent, insurance, IT systems, and non-billable staff salaries, just to start. However, there are other costs that need to be considered here too. David says, \u201coverheads include the company director\u2019s car lease, the meals and other extras that senior staff get, and all the other hidden benefits that a lot of directors don&#8217;t want disclosed.\u201d<\/p>\n<p>For that reason, it\u2019s important to have the ability to calculate your overhead costs privately. Ideally using your own <a href=\"https:\/\/totalsynergy.com\/\" target=\"_blank\" rel=\"noopener\">business management software system<\/a>, in-house, to come up with a figure. David says, \u201cSynergy is one of the only places I&#8217;ve ever seen that provides you with the tools to input those figures and reduce them to a single integer, which we call the &#8216;overhead factor&#8217;.\u201d<\/p>\n<p>Whether you\u2019re using Synergy software or not, you want to take the cost of all your business overheads and reduce that to a single number. In the built environment design industry that number typically ranges between 1.7 and 2.3.<\/p>\n<p>Practice directors will need to decide what number they\u2019re comfortable with based on their calculations. In Synergy, your System Administrator can adjust your financial controls to accommodate this. You then can have this flow through all your staff cost calculations and maintain a level of privacy in how you do this \u2014 with minimal people having access to how you&#8217;ve reached the multiplier you\u2019re using in your overhead factor.<\/p>\n<p><strong>Staff cost rates<\/strong><\/p>\n<p>To begin addressing staff <a href=\"https:\/\/totalsynergy.com\/features\/rates-and-costs\/\" target=\"_blank\" rel=\"noopener\">cost rate<\/a> calculations, David suggests we imagine that our overhead number was two. Next, we should imagine Janey, who has the following costs associated with her fictitious tenure:<\/p>\n<ul>\n<li>Janey has a base salary, let&#8217;s say, $9 an hour<\/li>\n<li>Janey also has a series of uniquely personal on-costs (depending on where she works, pension\/superannuation\/national pension\/insurances\/etc.) which equate to an additional $1 an hour<\/li>\n<\/ul>\n<p>The cost of Janey to your business is $10 an hour for wages and superannuation. If we take out utilization and availability for a moment to work with a broad brush, and you&#8217;ve got an overhead factor of two (where you&#8217;ve already considered all the expenses of the business and reduced it to a single multiplier, as discussed above) then you need to multiply Janey\u2019s cost by the overhead factor:<\/p>\n<ul>\n<li>Janey\u2019s raw cost to your business is $20 an hour<\/li>\n<\/ul>\n<p>At the $20 rate, for every hour Janey works, she covers her cost and her part of the cost of the business. Because it\u2019s a multiplier of their raw cost, the overhead factor is applied the same to every fee-earning staff member. Your next consideration is profit.<\/p>\n<p><strong>Working out profit<\/strong><\/p>\n<p>Now, if you\u2019ve got a preferred profit margin of 20 percent, Janey&#8217;s $9 plus on-costs ($10), with overhead factor ($20), plus 25 percent (pure profit for the business):<\/p>\n<ul>\n<li>Janey&#8217;s charge-out rate is $25 an hour<\/li>\n<\/ul>\n<p>At this point, you can figure out all of your fees on $25 an hour, knowing that you are going to cover her cost, the business cost, and profit. That amount is what we refer to as Janey\u2019s charge-out cost, or, more precisely, her \u2018project rate\u2019.<\/p>\n<p>David says, \u201cThe mistake a lot of people make, is that they use published industry rates \u2014 which is to say that while Janey&#8217;s only $25 to us, we know that the industry will tolerate us charging her out at $100 an hour (essentially, they&#8217;ve got a massive buffer of super profit there). But if you&#8217;ve got $1,000 to do a parcel of work, do you want to be charging somebody at $100 an hour on that or $25 an hour?\u201d<\/p>\n<p>You want to be charging $25 an hour on that because you\u2019re writing this part of the fee proposal at a fixed rate. You want as many hours of their time as possible, to do as good a job as you possibly can.<\/p>\n<p>It\u2019s when variation work comes in that you\u2019ll be charging Janey out at the industry rate, and you want to be clear about that in your fee proposal too.<\/p>\n<p><strong>Testing your numbers \u2013 up and down<\/strong><\/p>\n<p>Now we\u2019ve established that your rates must include your raw cost, your overheads, and your profit, David says, \u201cthe second most important thing in writing a fee proposal is the ability to test your numbers.\u201d What\u2019s important here, is being able to test both top-down and bottom-up.<\/p>\n<p>When you\u2019re putting together top-down finance for a fee proposal, your basis for coming up with a cost estimate on your project generally comes from industry experience. A director may say, &#8220;We&#8217;ll do that stage for $10,000, that one for $20,000, and that for $30,000&#8221;. It ends up being pretty accurate, because the director knows what they\u2019re doing and can assess a project against their experience of what it costs. They start with the big (top) number, and then work what resources are needed to execute to make up that big number.<\/p>\n<p>The bottom-up method begins with an assessment of which resources you\u2019ll need to complete the project, and how long you\u2019ll need them. How many director hours, architect or engineer hours, CAD technician hours, etc. will it take? You then add all those resource hours together to arrive at your total estimated price for the work. Some engineering firms do this with drawing estimates (they use an average fee per drawing, then multiply that by the number of drawings required for the project). Whichever method is used, the principle is the same \u2013 bottom-up costing.<\/p>\n<p>\u201cIt&#8217;s about being able to test it both ways\u201d says David. \u201cIf you\u2019ve got your top-down number you need to make sure there\u2019s enough money to cover the hours required for the director\/project manager\/CAD tech\/etc. If you&#8217;re doing it from the bottom up, you need to be able to verify that end figure against historical fees or industry standard costs.<\/p>\n<p>\u201cThe risk with only bottom-up is that you overprice your fee submission and the risk of only doing it top-down is that you run out of resources way too early.\u201d<\/p>\n<p><strong>How to write an accurate fee proposal \u2013 recap<\/strong><\/p>\n<p>David says, \u201cgetting your fees right in your fee proposal is ultimately your best guess \u2013 it\u2019s a plan.\u201d The way to keep that guess reasonable and as accurate as possible is to know that you\u2019ve covered:<\/p>\n<p>1. Your costs<br \/>\n2. Your overheads<br \/>\n3. Your profit<br \/>\n4. Testing your numbers <strong><em>both<\/em><\/strong> top-down and bottom-up<\/p>\n<p>The easiest way to make sure your figures reflect your actual costs is always going to be having all your business and project accounting and management data in the one spot, in one software system. What David refers to as \u2018a single point of truth\u2019. \u201cYou want all your raw costs, your profit, and overheads all packaged up beautifully and standardized so that the backend detail remains confidential, and your fee proposal accuracy is as close as possible\u201d says David.<\/p>\n<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\n\n\n\n\n\n\n\n\n\n\n\n\t<div class=\"content-row row no-padding-top, no-padding-bottom\" style=\"border-color: #ffffff; background-color: #fff;\">\n\t\t<div class=\"row-bounds\">\n\t\t\t<div class=\"single ww \">\n\t\t\t\t<div class=\"geo-ip gbp\">\n<p>The fact is that your success hinges on you knowing your real costs. Not just labour charges for fee earners, and raw costs either. But how much it truly <a href=\"https:\/\/totalsynergy.com\/aec\/project-accounting\/\" target=\"_blank\" rel=\"noopener\">costs for you to complete a project.<\/a> In a July 2021 <a href=\"https:\/\/www.architecture.com\/knowledge-and-resources\/knowledge-landing-page\/learn-to-write-a-fee-proposal-that-reflects-your-real-costs\" target=\"_blank\" rel=\"noopener\">article on architecture.com<\/a>, financial consultant and former finance director at Grimshaw, Michael Holmes, said that \u201conly by understanding its real cost rates can practices put together a sensible fee bid\u201d.<\/p>\n<p>What that means for your practice, is that fee proposals need to go beyond a summary of the design brief and services required. The hours that billable staff members spend on administration, the cost of non-billable employee salaries, electricity in the office, insurances, and a multitude of other expenses must be worked into your overhead costs. Because your architecture, engineering, and built environment projects are your source of income, those overheads must be factored into every fee proposal your firm puts together. It\u2019s critical to your ability to achieve consistent success.<\/p>\n<p>So how do you put together a fee proposal that does that properly? We spoke with David Yeates (Synergy business and project management software consultant, with a decade\u2019s experience running a successful architecture practice) about the answer to that question. David says, \u201cFirst and foremost, the number one thing when writing a fee proposal, is that you&#8217;ve got to get your rates right.\u201d<\/p>\n<p><strong>The cost of managing clients, and your portfolio<\/strong><\/p>\n<p>When beginning to write your fee proposal, it\u2019s important to understand who you\u2019re writing it for. Whether it\u2019s a mum-and-dad investor building a new home, a mid-tier developer, or a government contract, the nature of your client will necessitate varying amounts of management.<\/p>\n<p>Our small scale, residential client example will likely need educating as you go, with higher client touch or interaction, and higher overhead in management costs for you as a result. Costs you need to account for in your fee proposal. A mid-tier developer on other hand, will be well versed in the likely requirement of engineering inputs, phases, and stages, and require less of your time.<\/p>\n<p>\u201cThe other thing about those different types of fee proposals, is you would never take on a small scale, residential client as a <a href=\"https:\/\/totalsynergy.com\/project-management-for-built-environment-businesses-proper-portfolio-planning-part-2\/\" target=\"_blank\" rel=\"noopener\">portfolio<\/a> piece\u201d says David. It\u2019s common practice in the built environment design industry to take on a government project, for example, and offer them a price devoid of profit, to add that project to a portfolio of work \u2014 so you can move into a new market.\u201d<\/p>\n<p>If you\u2019re breaking even on a portfolio project like that, it\u2019s critical to know that you\u2019re making profit on your other projects to not send your business under. David says, \u201cIt doesn&#8217;t matter what kind of fee proposal you&#8217;re putting together, you need to make sure that it fits into your wider portfolio of projects, to make sure that you are actually covering all of your costs, even if you&#8217;re doing a loss-leader project.\u201d<\/p>\n<p><strong>The overhead factor<\/strong><\/p>\n<p>It\u2019s clear that when you consider your overhead costs you need to account for everything outside of your project costs. Your rent, insurance, IT systems, and non-billable staff salaries, just to start. However, there are other costs that need to be considered here too. David says, \u201coverheads include the company director\u2019s car lease, the meals and other extras that senior staff get, and all the other hidden benefits that a lot of directors don&#8217;t want disclosed.\u201d<\/p>\n<p>For that reason, it\u2019s important to have the ability to calculate your overhead costs privately. Ideally using your own <a href=\"https:\/\/totalsynergy.com\/\" target=\"_blank\" rel=\"noopener\">business management software system<\/a>, in-house, to come up with a figure. David says, \u201cSynergy is one of the only places I&#8217;ve ever seen that provides you with the tools to input those figures and reduce them to a single integer, which we call the &#8216;overhead factor&#8217;.\u201d<\/p>\n<p>Whether you\u2019re using Synergy software or not, you want to take the cost of all your business overheads and reduce that to a single number. In the built environment design industry that number typically ranges between 1.7 and 2.3.<\/p>\n<p>Practice directors will need to decide what number they\u2019re comfortable with based on their calculations. In Synergy, your System Administrator can adjust your financial controls to accommodate this. You then can have this flow through all your staff cost calculations and maintain a level of privacy in how you do this \u2014 with minimal people having access to how you&#8217;ve reached the multiplier you\u2019re using in your overhead factor.<\/p>\n<p><strong>Staff cost rates<\/strong><\/p>\n<p>To begin addressing staff <a href=\"https:\/\/totalsynergy.com\/features\/rates-and-costs\/\" target=\"_blank\" rel=\"noopener\">cost rate<\/a> calculations, David suggests we imagine that our overhead number was two. Next, we should imagine Janey, who has the following costs associated with her fictitious tenure:<\/p>\n<ul>\n<li>Janey has a base salary, let&#8217;s say, \u00a39 an hour<\/li>\n<li>Janey also has a series of uniquely personal on-costs (depending on where she works, pension\/superannuation\/national pension\/insurances\/etc.) which equate to an additional \u00a31 an hour<\/li>\n<\/ul>\n<p>The cost of Janey to your business is \u00a310 an hour for wages and superannuation. If we take out utilization and availability for a moment to work with a broad brush, and you&#8217;ve got an overhead factor of two (where you&#8217;ve already considered all the expenses of the business and reduced it to a single multiplier, as discussed above) then you need to multiply Janey\u2019s cost by the overhead factor:<\/p>\n<ul>\n<li>Janey\u2019s raw cost to your business is \u00a320 an hour<\/li>\n<\/ul>\n<p>At the \u00a320 rate, for every hour Janey works, she covers her cost and her part of the cost of the business. Because it\u2019s a multiplier of their raw cost, the overhead factor is applied the same to every fee-earning staff member. Your next consideration is profit.<\/p>\n<p><strong>Working out profit<\/strong><\/p>\n<p>Now, if you\u2019ve got a preferred profit margin of 20 percent, Janey&#8217;s \u00a39 plus on-costs (\u00a310), with overhead factor (\u00a320), plus 25 percent (pure profit for the business):<\/p>\n<ul>\n<li>Janey&#8217;s charge-out rate is \u00a325 an hour<\/li>\n<\/ul>\n<p>At this point, you can figure out all of your fees on \u00a325 an hour, knowing that you are going to cover her cost, the business cost, and profit. That amount is what we refer to as Janey\u2019s charge-out cost, or, more precisely, her \u2018project rate\u2019.<\/p>\n<p>David says, \u201cThe mistake a lot of people make, is that they use published industry rates \u2014 which is to say that while Janey&#8217;s only \u00a325 to us, we know that the industry will tolerate us charging her out at \u00a3100 an hour (essentially, they&#8217;ve got a massive buffer of super profit there). But if you&#8217;ve got \u00a31,000 to do a parcel of work, do you want to be charging somebody at \u00a3100 an hour on that or \u00a325 an hour?\u201d<\/p>\n<p>You want to be charging \u00a325 an hour on that because you\u2019re writing this part of the fee proposal at a fixed rate. You want as many hours of their time as possible, to do as good a job as you possibly can.<\/p>\n<p>It\u2019s when variation work comes in that you\u2019ll be charging Janey out at the industry rate, and you want to be clear about that in your fee proposal too.<\/p>\n<p><strong>Testing your numbers \u2013 up and down<\/strong><\/p>\n<p>Now we\u2019ve established that your rates must include your raw cost, your overheads, and your profit, David says, \u201cthe second most important thing in writing a fee proposal is the ability to test your numbers.\u201d What\u2019s important here, is being able to test both top-down and bottom-up.<\/p>\n<p>When you\u2019re putting together top-down finance for a fee proposal, your basis for coming up with a cost estimate on your project generally comes from industry experience. A director may say, &#8220;We&#8217;ll do that stage for \u00a310,000, that one for \u00a320,000, and that for \u00a330,000&#8221;. It ends up being pretty accurate, because the director knows what they\u2019re doing and can assess a project against their experience of what it costs. They start with the big (top) number, and then work what resources are needed to execute to make up that big number.<\/p>\n<p>The bottom-up method begins with an assessment of which resources you\u2019ll need to complete the project, and how long you\u2019ll need them. How many director hours, architect or engineer hours, CAD technician hours, etc. will it take? You then add all those resource hours together to arrive at your total estimated price for the work. Some engineering firms do this with drawing estimates (they use an average fee per drawing, then multiply that by the number of drawings required for the project). Whichever method is used, the principle is the same \u2013 bottom-up costing.<\/p>\n<p>\u201cIt&#8217;s about being able to test it both ways\u201d says David. \u201cIf you\u2019ve got your top-down number you need to make sure there\u2019s enough money to cover the hours required for the director\/project manager\/CAD tech\/etc. If you&#8217;re doing it from the bottom up, you need to be able to verify that end figure against historical fees or industry standard costs.<\/p>\n<p>\u201cThe risk with only bottom-up is that you overprice your fee submission and the risk of only doing it top-down is that you run out of resources way too early.\u201d<\/p>\n<p><strong>How to write an accurate fee proposal \u2013 recap<\/strong><\/p>\n<p>David says, \u201cgetting your fees right in your fee proposal is ultimately your best guess \u2013 it\u2019s a plan.\u201d The way to keep that guess reasonable and as accurate as possible is to know that you\u2019ve covered:<\/p>\n<p>1. Your costs<br \/>\n2. Your overheads<br \/>\n3. Your profit<br \/>\n4. Testing your numbers <strong><em>both<\/em><\/strong> top-down and bottom-up<\/p>\n<p>The easiest way to make sure your figures reflect your actual costs is always going to be having all your business and project accounting and management data in the one spot, in one software system. What David refers to as \u2018a single point of truth\u2019. \u201cYou want all your raw costs, your profit, and overheads all packaged up beautifully and standardized so that the backend detail remains confidential, and your fee proposal accuracy is as close as possible\u201d says David.<\/p>\n<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\n\n\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The fact is that your success hinges on you knowing your real costs. This means your fee proposals need to confidently cover your raw costs, overheads, and profit margins. So how do you put together a fee proposal that does that properly? We spoke with David Yeates about the answer to that question.<\/p>\n","protected":false},"author":1,"featured_media":13288,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"content-type":"","inline_featured_image":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[6736,6739,2],"tags":[],"webinar-categories":[],"type-of-webinar":[],"industry":[],"region":[],"class_list":["post-13285","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aec-industry","category-better-business","category-blog"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.6 (Yoast SEO v26.6) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>How architects, engineers &amp; AEC professionals write a fee proposal<\/title>\n<meta name=\"description\" content=\"Find out how to write a built environment fee proposal that actually covers 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